Kning Disk: beautiful Swedish design
Posted on 19 January 2008
The other day, a package arrived in the post. It was a gift from a friend to say thanks for an album cover I recently designed for his band, and inside it were four CDs released by Kning Disk, each one in some kind of interesting, card-based packaging. Before I even played the music I fell in love with the CDs, because of the way the packaging was designed and how it worked, and it inspired me to create a new blog category (or series) called ‘design inspiration’. Welcome to the first post in that series!
You see, I often find inspiring bits of design and feel frustrated that it’s not being seen by as many people as possible. This packaging is a prime example of that; not that it’s earth-shatteringly different, but its hand-made feel and attention to detail make it stand out. In this world of MP3s and music collections on hard drives, it’s testament to the power of packaging that these CDs are still sitting on my desk a week after receiving them. Sure, I ripped them to iTunes straight away, but the important thing is that they haven’t yet been filed away in a box along with the rest of my collection – they’re on my desk because I love looking at them. They’re beautiful artefacts and – because of their limited run, hand-made approach – there’s something personal about them.
James Blackshaw: Walking Into Sleep
Despite utilising some textbook Scandinavian über-minimalism, this package is striking in its simplicity. For a start there’s no text on the front cover, and the reverse is as plain as can be: an artist and title, plus some small print and a barcode being the sole occupants of a plain white back cover. But this cover is split into two; its top half overhangs the bottom to hide the opening, and – when opened – we realise there are no joins on the entire package: the whole thing is one piece of card.
The interior mirrors the exterior by placing one image in the central square and flanking it above and below with two large white spaces, on the lower of which reside some liner notes. The disc itself floats freely within the open package, but sits inside a soft fabric sleeve. Mmmm. Cosy!
Balroynigress: Shampoo & Champagne
The second most striking package again uses subtle plays on the standard card folding and scoring we’re used to. The entire sleeve is made out of one piece of heavyweight paper but the purposefully shallow trim on one of the edges means the interior artwork shows through to the exterior. Nice! The paper then folds out to first reveal an inner section of credits and a photograph, before opening out fully to reveal one giant montage image (the one that shows through to the cover), with lyrics and the liner notes on the reverse.
On one face sits a small circle, on which the CD itself is mounted. It’s a fragile package and one that reflects the quiet intensity of the music contained within.
Erik Enocksson: Färval Falkenberg
Following a slightly more traditional format, this album – printed on a lovely uncoated stock like the ones above – opens out to a double gatefold layout. One ‘pocket’ contains the disc while the other contains a staple-bound, 12-page booklet consisting entirely of full-bleed photographs. The inside and back covers of the card packaging place text on plain white pages to avoid any kind of clutter. It’s a technique seen before on the James Bradshaw album and reminds me of traditional book design.
Various: Whispers From The Forests, Screams From The Mountains (New Suggestions For The Swedish Flora And Fauna)
Wow, what a great title! ‘Whispers…’ is a compilation co-released by Häpna, Ideal Recordings and Kning Disk, and was given away to subscribers of The Wire magazine. The layout style of Mattias Nilsson – who designed all of these packages bar the one for Balroynigress – becomes even more clear as white card and blocks of text dominate this release. A single, text-less image adorns the cover of this package, which is the most regular (but still beautiful) layout of the four albums: a standard gatefold, with the disc sitting inside one of the two pockets. The sleeve I designed for a friend’s band (for which I received these discs as thanks) also uses this format, so I’m really looking forward to seeing how that turns out.
And what about the music?
Oh yes, that was pretty good too! But it was the packaging design that first caught me eye, and it has continued to do so. Although this is probably the most design-indulgent post I’ve ever written, I hope you it gives you guys a feel about what this packaging is really like, and I hope that showing Mattias Nilsson’s (and others’) work here will allow it to reach, influence, and inspire many more people. Let the geekness ensue!